Natalia Wiernik | exhibition catalogue

A treat for today: Gallery of the Academy of Fine Arts in Krakow, which I had been running for over a year, has recently created an Issuu account, and uploaded a catalogue of the last exhibition I curated before moving to Barcelona. I can’t even tell how happy I am sharing it with you!

Natalia Wiernik’s installation can, I believe, be attributed with some sort of cleansing effect.
In reality, in which we are inundated with images, “Display” encourages us to stop for a while. It unburdens our sight, engaging at the same time hearing, smell and touch.

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no photo, no proof | Museu del Disseny

Hi there! A few days ago I told you about my participation in a guided visit to the Centre de Documentació of Museu del Disseny de Barcelona on St. George’s Day. Today I woke up with a strange feeling that although it has not been a week since my last visit to the Museu del Disseny, I really should go there immediately. I didn’t need much time to realise that there is a very good reason behind it: I haven’t seen the temporary exhibition Distinction. A Century of Fashion Photography yet, and it’s on display only until tomorrow. So I packed my small bag, grabbed some coffee and croissant on my way to the metro station, and soon I arrived at Plaça de les Glòries Catalanes. Today there will be no talking. I would just like you to see a bit of what I saw. Enjoy.

PS. Please, take a closer look at the objects’ labels. They’re gorgeous.

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Diada de Sant Jordi: Disseny Hub Barcelona

Yesterday was my first Diada de Sant Jordi (cat. St. George’s Day), one of the greatest celebrations I’ve seen in Barcelona so far. Are you familiar with the legend of St. George? It features everything that comes to one’s mind when thinking of a proper medieval ballad: a dragon, a sword, a knight, and a princess. The story begins with a city of Silene, in which one bloodthirsty dragon delighted so much, that it decided to arrange its nest on the spring that provided water for the whole town. Every time the citizens wanted to collect water from the spring, they would offer the dragon a sheep, and if they were lacking one, there was only one substitute: a virgin maiden. As poor virgins were chosen by drawing lots, there was little to be done when the selected maiden happened to be the princess. Luckily enough, just as she was about to be presented to the dragon, Saint George appeared, and protecting himself with a sign of the cross, slaughtered the dragon with a sword, and freed the princess. It is believed that out of the dragon’s blood a beautiful scarlet rose bush bloomed. That’s why in many places (including Catalunya), the St. George’s day is known as the day of a book & a rose. Women are given red roses by their partners or friends, and in return, they are expected to give them books.

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Antoni Gaudí’s Casa Batlló decorated for the Diada de Sant Jordi (photo: catalunyapress.com). Did you know that Gaudí’s work actually depicts the story of Saint George?

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museum assistant in Warsaw: kids in a museum | part one

I like Warsaw, I really do. It’s such a lively city! Some people (especially those born and raised in Cracow) consider it ugly, but I would never, ever say that. Everytime I hear someone complaining about the aesthetics of Warsaw, its architectonic chaos and eclecticism, I remind him what did this city came through during (and after) WW2. In 1945 it was an enormous pile of ashes, miserable and heart-breaking ruins of one of the most charming metropolises of central Europe. And however the great act of reconstructing the city began shortly after the end of the war, it turned out very quickly that many elegant modernist housing estates are to be replaced with architecture of socialist realism. Moreover, at the very heart of the city a huge edifice was erected, “a gift from the Soviet People to the Polish People”: the Palace of Culture and Science. The Soviet regime was defeated in 1989, but the way it affected the architecture of many Polish cities, including Warsaw, will remain for a long time, if not forever. That’s why I am always amazed how Warsaw is still able to impress, making a good use of its own eclecticism. It became famous for a huge diversity of restaurants, cafes, bookshops, galleries, and museums. It has probably the biggest number of institutions dedicated to contemporary art among other Polish cities, only to mention Zacheta National Gallery of Art, Centre For Contemporary Art Ujazdowski Castle, or the Museum of Modern Art in Warsaw, with a superb bookshop called Bookoff.

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entrance to the exhibition “I read here. Contemporary Polish Illustration for Children”, Zacheta National Gallery of Art, fot. Marek Krzyżanek, CC-BY-SA

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Museum Week 2016 on Twitter

Last week I was spending most of my time online on Twitter, in order to catch up with one of the biggest international social media events dedicated to museums and culture — the #MuseumWeek2016. 7 days, 7 different themes, 7 hashtags, and thousands of participants from all around the world — museums, foundations, cultural centres, curators & museum professionals. The idea of encouraging museums to spend a whole week sharing their secrets and connecting with their followers was born two years ago in France. At first, the participants of #MuseumWeek were European institutions only, but as the event turned out to be a great success, the next edition became global.

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